Home » fiction » Fantastical Elements: Mainstreaming Subversion

Fantastical Elements: Mainstreaming Subversion


The western world, 2013 may be caught in a web of depression and economic austerity but popular culture is dominated by escapist genres and narratives, embracing elements of fantasy. Formerly designated to sub-cultural interest groups, fantastical fiction and film have become part of the mainstream. This development has not occurred overnight and, I would suggest, has rather evolved as a reactive process to changes in the nature of social reality.
Arguably infrastructural changes are reflected in the superstructure of a society. Popular culture, like ideology, is a facet of the superstructure and is not an autonomous movement; not only is it shaped by the superstructure but it, also, helps shape the superstructure. The relationship is one of reciprocity; in my world one way causation is mythical!
I wish not to resort to a vulgar form of Marxism and would, thus, centralise the role of the individual as the human agent of change and the producer of cultural meaning.
We as writers, readers and viewers have embraced an alternate cultural universe in which vampires and zombies, spirits and wizards represent our hidden desires, supressed by our empirical roles as women and men interacting with and surviving the turmoil of the life process. Thus, the ascension of sub-genre fiction, film, etc should be applauded by the educated masses and accepted by the establishment as a counteraction to outmoded cultural snobbery and a positive consequence of the new cultural world order.

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